Skip to main content

Politics within Thattathin Marayathu

The Constitution bestows you with every other freedom but for the freedom to love. The movie Thattathin Marayathu discusses the profound love story between a Hindu boy and a Muslim girl and their unwillingness to give up. The film is a mesh of a college love story woven with threads of communal differences associated with prejudices and politics. It is about love not succumbing to faith and communal differences, yet one that never assumes a didactic tone.

The movie talks about the importance of secularism in society. The movie, in a subtle manner, talks about the idea of secularism. From Vinod opening a Purdah shop to even the climax scene when Aisha asks if a room is available for her to do the prayers in a Hindu house, it shows that religion should not be a dividing force against love or humanity. 

The movie also talks about the importance of consent in romantic relationships. Aisha is initially apprehensive about Vinod's advances, but she eventually reciprocates his feelings. Here, Vinod also respects the wishes of Aisha. 

Thattathin Marayathu also subtly challenges traditional gender norms and expectations. In the orthodox family of Aisha, women are not allowed to come to the forefront or talk with men and all the decisions are taken by men. Here, towards the climax, we can see the feminist elements in the movie through the roles of Sreenivasan and the mother of Aisha. A change against patriarchy can only come from within the community; change cannot be imposed on people. Here, the freedom which was restricted due to family norms is broken by members of the family itself (father). Isha Talwar showcases agency and independence in her decisions. She defies her conservative family's expectations by pursuing a relationship with the male lead, Vinod, against their wishes. A feminist perspective would appreciate her determination to choose her path in matters of the heart.

Aisha's journey throughout the film involves self-discovery and the pursuit of her happiness rather than conforming to societal expectations. This theme of self-discovery and personal growth is often celebrated from a feminist standpoint.

While "Thattathin Marayathu" may not explicitly focus on the politics of the time, the film's portrayal of secularism, agency, consent, and the challenges posed by traditional gender norms can subtly align with feminist perspectives on relationships and women's autonomy.

Comments

Popular posts from this blog

Beyond Borders: The Ecumenical Heart of Mar Thoma Church

I didn’t initially plan to write something like this, but there’s been a lot of buzz lately about Suffragan Metropolitan Joseph Mar Barnabas receiving communion from the Patriarch. While many of the comments I’ve seen are derogatory and fail to reflect either Christian kindness or basic human respect, the issue seems to stem from a lack of understanding about the Mar Thoma Church’s ecumenical theology and teachings on the Holy Qurbana. I want to shed some light on that based on what I’ve come to learn. 𝑬𝒄𝒖𝒎𝒆𝒏𝒊𝒄𝒂𝒍 𝑬𝒄𝒄𝒍𝒆𝒔𝒊𝒐𝒍𝒐𝒈𝒚 Central to Mar Thoma ecclesiology is the Pauline imagery of the "Body of Christ" (1 Corinthians 12:27), a theological construct that emphasizes unity within diversity and transcends denominational boundaries. A defining mission of the Church is "to unite all things in Jesus Christ," a commitment that explicitly eschews exclusivist frameworks, such as papal or patriarchal supremacy. This idea of enclave theology was seen wi...

Empuraan Unleashed: When Cinema Dares to Speak Truth to Power

The recently released L2: Empuraan is nothing short of a cinematic triumph, a testament to the evolving brilliance of Malayalam cinema. Prithviraj Sukumaran’s direction is a masterstroke, elevating the industry to new heights with a vision that’s both bold and meticulous. Equally deserving of praise is Murali Gopy, whose script and dialogues weave a tapestry of words so powerful they linger long after the credits roll. This film is a shining example of storytelling done right—gripping, thought-provoking, and unapologetic. But beyond its artistic merits, L2 has sparked a predictable yet absurd political storm. Right-wing leaders have been quick to cry foul, clutching their pearls at the film’s depiction of historical events—specifically, the 2002 Gujarat riots. Their outrage is not just comical; it’s dripping with irony. These are the same voices that cheered for The Kerala Story , a film so steeped in propaganda that it could barely masquerade as fiction. They handed out free ticket...

From Real to Reel

"I am in a long-distance relationship forever." Yesterday, I watched the movie Amaran, and it was absolutely amazing. I’m someone who rarely gets emotional over movies, yet I found myself teared up. The first time I heard Major Mukund’s story was when Indhu chechi came to Melbourne with Tinu Achachan, and back then, it was just another military story to me. But watching the movie today, the narrative struck me on a whole new level—the pain, the agony, the sacrifices. It all felt so raw and real. The respect I have for Indhu chechi has skyrocketed. I still remember every time I met her, she carried that signature smile of hers, unfaltering despite everything. Still cherishing the fond memories with Tinu Achachan, Indhu Chechi, and Arsheya. Back to the movie, I’ve never been particularly drawn to the idea of nationalism or overt patriotic fervor. Those who know me are well aware of that. But this movie managed to evoke a nationalistic ardour, a respect that transcends political...